Rarely does a film truly inspire, and yet, Synecdoche, New York is a true marvel in writing, acting, and overall filmmaking.
Starring Phillip Seymour Hoffman as a dying play director, the first quarter of Synecdoche is based in reality and typical filmmaking situations. Quickly things change. Once Hoffman's character, Caden, has his wife and 4 year old daughter bolt New York for Berlin, Caden's personal life and the movie take a truly depressing, interesting and amazing turn.
Written and directed by the acclaimed Charlie Kaufman, Synecdoche traverses fantasy land yet, amazingly, somehow stays grounded in a brutal reality most "regular" movies cannot achieve.
Realizing he is dying, Caden resolves to make esentially the greatest play ever known to man. Through a grant (we never know how much he recieves) Caden buy an astronomically enormous dome, in which he hopes to stage his masterpiece. He builds New York City, with all it's apartments, inhabitants, and relationships, in this dome over a 50 year period. At one point an actor yells to Caden, "When are we going to get an audience? It's been 17 years?" Once an actor is chosen to play himself (who happens to follow Caden for 20 years), more characters are cast as Caden and his everyday people he interacts with.
Sound confusing? It should be.
Somehow, while Caden lives he continues writing the play in real time. Ultimately, after 50 years, there is only one way for the play to end. It is agonizing watching Hoffman's Caden finally come face to face with his daughter in Berlin. One literally gets sick to their stomach, as through so much pain Hoffman softly and humanely portrays his love for his estranged and brainwashed daughter.
Still a bit confusing? Good. Miraculously, Kaufman makes sense of it all, and drives home the central theme of the movie: Everyone is the star of their own life - There are no extras in the real world.
This movie should be nominated for Oscars in at least the following categories: Best Screenplay, Direction, Picture, Actor, Actress, and Set Design.
One leaves feeling proud knowing good filmmaking still exists, and without such real life pain, this work of beauty would never exist.
Be well,
RB